Feature Friday: The Billie Eilish Experience
With her anticipated album release last week, Billie Eilish has been taking over the charts…
album review
Album Review: Almost Free by FIDLAR
Say goodbye to the old, trashy, garage-punk band that we all used to know (and…
Toro y Moi-Outer Peace – Album Review
Chaz B. aka Toro y Moi set the bar for the rest of the artist…
Album Review: Year of the Snitch by Death Grips
The experimental trio’s newest project does not skip over the usual angry, paranoia filled subject…
Album Review: RM’s mono.
mono. Album Cover RM’s mono.. Quite honestly, this is the perfect soundtrack for the fall season….
My Name Is My Name: 5 years later
In what was one of the most anticipated and quality-dense rap years that we’ve seen…
Album Review: Ella Mai by Ella Mai
If you managed to get through this summer without having “Boo’d Up” permanently engraved in…
Album Review: Negro Swan by Blood Orange
Negro Swan is the fourth studio album by Dev Hynes under the moniker “Blood Orange.” …
Album Review: SSION’s O
Musician, songwriter, and interdisciplinary artist Cody Critcheloe aka SSION just released O, his third studio…
Ringos Desert Pt. 1 by ZHU: Album Review
World-famous DJ, producer, and artist, ZHU, just dropped a hot new EP, the first part of…
Friday Fresh Finds by Female Artists
This year has seen so much incredible new music, but we often don’t appreciate or…
Album Review: KOD by J. Cole
Between doing his own production and having extremely successful albums with little to no…
Album Review: Awake by Alison Wonderland
Alison Wonderland, Australian DJ and producer, has been making waves in the electronic scene and…
Album Review: Saturation III
It’s been a busy year for Texas native group, BROCKHAMPTON. In the span of one…
Album Review: Virtual Self EP
Virtual Self, a new project taken on by Porter Robinson, is a “technic Utopia awakening”…
Album Review: Ron Gallo’s ‘Heavy Meta’
Heavy Meta is a guitar-riff filled, garage rock and roll, rootsy, eclectic album by Philadelphia-bred…